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Title |
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Vol 11, No 2 (2017): Cognitive Literary Studies |
The Confines of Cognitive Literary Studies: The Sonnet and a Cognitive Poetics of Form [Abstract] |
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Felix Sprang |
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Vol 5, No 2 (2011): Standards and Norms of Literary Studies |
The Craft of Building Theories. On Hermeneutics and Philology [Abstract] |
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Remigius Bunia |
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Vol 4, No 2 (2010): Popular Culture |
The Death of the Narrator and the Interpretation of the Novel. The Example of Pedro Páramo by Juan Rulfo [Abstract] |
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Sylvie Patron |
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Vol 1, No 2 (2007): Emotions |
The Discussion of Emotions in the Study of Medieval Literature [Abstract] |
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Jutta Eming |
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Vol 6, No 1 (2012): Trauma and Literature |
The Ethics of Encounter in Contemporary Theater Performances [Full text] |
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Katharina Pewny |
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Vol 6, No 1 (2012): Trauma and Literature |
The Ethics of Fiction. African Writers on the Genocide in Rwanda [Abstract] |
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Martina Kopf |
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Vol 13, No 1 (2019): Moscow Formalism and Literary History |
The Evolution of Russian Rhyme |
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Mikhail L. Gasparov |
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Vol 7, No 1-2 (2013): Theories and Models of Literary Historiography |
The Fissured Identity of Literature: The Birth of National Literary History out of International Cultural Transfers [Abstract] |
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Vladimir Biti |
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Vol 5, No 2 (2011): Standards and Norms of Literary Studies |
The Geography of Comparative Literature [Abstract] |
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Rebecca Gould |
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Vol 11, No 1 (2017): Theories of Lyric |
The I and the Others. Articulations of Personality and Communication Structures in the Lyric [Abstract] |
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Dieter Burdorf |
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Vol 6, No 2 (2012): Literary Theory and Media Change |
The Implied Book and the Narrative Text: On a Blind Spot in Narratological Theory – from a Media Studies Perspective [Abstract] |
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Christine Putzo |
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Vol 14, No 1 (2020): Interpretation and/or/as Aesthetic Experience |
The Implied Fictional Narrator |
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J. Alexander Bareis |
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Vol 6, No 2 (2012): Literary Theory and Media Change |
The Literariness of New Media Art – A Case for Expanding the Domain of Literary Studies [Abstract] |
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Claudia Benthien |
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Vol 11, No 1 (2017): Theories of Lyric |
The Lyrical Impulse [Abstract] |
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Charles Altieri |
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Vol 4, No 1 (2010): Literary Studies and Linguistics |
The Non-linguistic in Poetic Language. A Generative Approach [Abstract] |
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Nigel Fabb |
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Vol 7, No 1-2 (2013): Theories and Models of Literary Historiography |
The Ontology and Literary Status of the Screenplay: The Case of »Scriptfic« [Abstract] |
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Ted Nannicelli |
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Vol 12, No 2 (2018): The Paradox of Fiction |
The Paradox of Fiction – A Brief Introduction into Recent Developments, Open Questions, and Current Areas of Research, including a Comprehensive Bibliography from 1975 to 2018 |
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Eva-Maria Konrad, Thomas Petraschka, Christiana Werner |
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Vol 14, No 2 (2020): History of the Modern Practice of Fiction |
The Pleasures of Imagination. Aspects of Fictionality in the Poetics of the Age of Enlightenment and in Present-Day Theories of Fiction |
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Frank Zipfel |
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Vol 2, No 1 (2008): Interpretation |
The Polemic Animal (or, How I Learned to Stop Worrying and Love Partisan Politics). A Reply to Karl Eibl [FULL TEXT] |
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Frank Kelleter |
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Vol 2, No 2 (2008): Gestalt |
The Role of Gestalt in Language Processing [Abstract] |
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Hilke Elsen |
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Vol 9, No 2 (2015): Cultural and Literary Animal Studies |
The Sticky Temptation of Poetry [Abstract] |
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Kári Driscoll |
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Vol 4, No 1 (2010): Literary Studies and Linguistics |
The Testability of Hypotheses about Authors’ Intentions [Abstract] |
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Axel Bühler |
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Vol 3, No 1 (2009) |
The Text as a Manual. Some Reflections on the Concept of Language from a Neuroaesthetic Perspective [Full Text] |
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Massimo Salgaro |
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Vol 3, No 1 (2009) |
The »Track Round the Sphere«. Clemens Lugowski’s Semantic Realignment from the »Mythic Analogue« to »German Reality« [Abstract] |
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Gerhard Kaiser |
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Vol 15, No 1-2 (2021): Concepts: Formation, Functions and Limits |
Theorie und Methode der Gattungsgeschichtsschreibung. Mediävistische Perspektiven |
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Florian Remele |
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